Perth artist Kerri Barrie recently showcased her innovative wearable art at the prestigious 2025 World of Wearable Art (WOW) show in Wellington, New Zealand. This event is renowned globally, attracting entries from approximately 40 countries and highlighting the creativity and craftsmanship of artists who push the boundaries of fashion and art.
Barrie, a seasoned participant, expressed her enthusiasm about the event, stating, “I first went there about twenty years ago… it started in Nelson, New Zealand – and it was started by Suzie Moncrieff and her sister.” Moncrieff, now a Dame for her contributions, has played an instrumental role in transforming WOW into a significant cultural phenomenon, comparable to the Emmys but for the world of wearable art.
Transforming Ideas into Wearable Art
Barrie’s entry, titled Synesthesia, was inspired by the theme of nightlife energy, incorporating bright neon colors and dynamic movement. “I definitely knew I wanted more than one person in it,” she explained, emphasizing her desire to redefine the traditional form of wearable art. Rather than creating a simple dress, Barrie aimed to alter the perception of the human form through her design, which features two performers.
The creative journey for Synesthesia began with sketches and experimenting with various fabrics. Barrie named her work after a neurological condition where individuals may perceive numbers or sounds as colors. Although she does not have this condition, she has since connected with several individuals who do, enriching her understanding of the concept.
For Barrie, the structural integrity of her creations is paramount. “For this kind of event, the work cannot be at all delicate,” she stated. The garments must not only captivate audiences but also withstand the rigors of multiple performances—at least thirty times throughout the event.
The Rigorous Selection Process
Getting accepted into the WOW show involves a comprehensive process. Artists must first construct and photograph their work for initial evaluation. Successful candidates then submit their designs to New Zealand for further assessment, which includes ensuring the model’s safety. “A lot of the work, like mine, you can’t see the model’s face, but they need to be able to see and breathe,” Barrie noted.
During the creative process, Barrie paid meticulous attention to detail. She initially loved the rough edges and textures of her design but realized they might deteriorate with use. “They were starting to come adrift, and I thought by show night they’d have disintegrated,” she explained. To preserve the integrity of her work, she carefully sealed the edges and reapplied them, ensuring that the audience would appreciate the intricate details.
Barrie’s dedication and innovative approach culminated in her selection as one of the 85 finalists at the 2025 WOW show. The event featured performances combining fashion with music and dance, offering an extraordinary visual spectacle to an audience of around 60,000 people over its three-week duration.
Kerri Barrie’s journey through the world of wearable art reflects both personal passion and artistic evolution. Her participation in the WOW show underscores the vibrant intersection of creativity and craftsmanship, contributing to the ever-expanding narrative of wearable art on the global stage.
