Jerome Sabbagh has released his latest album, Stand Up!, which showcases an immersive analog sound experience. The album, launched on January 24, 2026, under the Analogue Tone Factory label in New York, has garnered attention for its meticulous production and rich musical textures. Each track is a testament to the care taken in its creation, from the recording process to the high-quality vinyl mastering.
The album features Sabbagh on tenor saxophone, whose airy tones resonate with remarkable clarity. Accompanying him are Joe Martin on bass and Ben Monder on guitar, both of whom contribute distinct layers to the album’s soundscape. The drumming of Nasheet Waits stands out, with cymbals that sing and nuances that envelop the listener.
Explosive Tracks and Soulful Melodies
One of the most remarkable tracks, “Mosh Pit,” delivers an explosive energy that captures the essence of a live performance. It erupts with a lively interplay between saxophone and guitar, creating a thrilling dialogue that lasts just under three and a half minutes. This track not only electrifies the album but also sets the stage for Sabbagh’s exploration of various musical styles.
The journey begins with the slow, soulful “Long Jack,” dedicated to the legendary Ray Charles and co-producer Pete Rende. Here, the contrast between Sabbagh’s warm tenor and Monder’s psychedelic guitar creates a captivating atmosphere. “Michelle’s Song” follows as a breezy waltz, lifted by Martin and Waits, whose cymbals provide a shimmering clarity.
Further along, “Lunar Cycle” pays homage to saxophonist Sam Rivers, presenting rhythmic puzzles that invite listeners to engage with its bouncy swing. “The Break Song,” dedicated to Stevie Wonder, offers a wistful melody, blending saxophone and guitar in a way that evokes Wonder’s signature harmonica sound.
A Diverse Musical Landscape
“High Falls” introduces a lively bossa nova rhythm, where the saxophone weaves seamlessly with expertly recorded rim-clicks. Monder’s playful approach adds depth to the composition, enhancing its airy quality. In “Vanguard,” a tribute to the late drummer Paul Motian, Sabbagh’s melody reflects Motian’s unique blend of angularity and impressionism.
The album concludes with “Unbowed,” dedicated to octogenarian pianist Kenny Barron. This track, while slow, carries a sense of defiance, leaving listeners with a feeling of empowerment and resilience as they approach the new year.
Overall, Stand Up! is a compelling collection of tracks that highlights Jerome Sabbagh and his band’s musical prowess. The album’s commitment to analog sound quality elevates the listening experience, ensuring that each note is delivered with precision and warmth. As audiences immerse themselves in this rich soundscape, it becomes clear that Sabbagh’s artistry continues to flourish.
