The founder of the Bendigo Writers Festival, Rosemary Sorensen, has publicly condemned attempts by this year’s festival organizers to limit discussions and debates. Sorensen, who established the festival in 2012 and led it until 2023, described the move as an “authoritarian abuse of power.” Her comments come amid controversy surrounding the festival, which took place from September 29 to October 1, 2023.
The festival faced backlash after organizers distributed a “code of conduct” to participants, advising them to “avoid language or topics that could be considered inflammatory, divisive, or disrespectful.” This directive led to the withdrawal of over 50 writers, effectively cancelling the opening night event. Additionally, independent retailer Bookish removed itself from its partnership role as the festival’s book-selling partner.
Sorensen expressed her shock upon receiving news of the directive. “How could such a letter – which is so inflammatory, divisive, and disrespectful – be sent out to writers?” she remarked. Her response was one of “despairing, angry shock,” indicating the depth of her disapproval.
Many interpreted the directive as an effort to suppress discussions regarding Israel’s military campaign in Gaza, which escalated following the attacks by Hamas on October 7, 2023. However, Sorensen noted that adherence to the directive could potentially silence conversations on a broader range of critical issues, including sexual abuse and violence against women and children.
This incident has sparked a wider conversation about freedom of expression within literary communities. Critics argue that the imposition of such a code undermines the very essence of literary festivals, which are meant to foster dialogue and explore varied perspectives.
As the fallout continues, the Bendigo Writers Festival finds itself at a pivotal moment. The organizers’ decisions may have lasting implications for the event’s reputation and its role as a platform for open discussion in the literary world. Sorensen’s vocal opposition highlights the ongoing tension between artistic expression and perceived social responsibility in contemporary discourse.
