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Australian Cinema Mourns David Stratton: A Call for More Film Critique

David Stratton, the esteemed co-host of the beloved Australian film review show At The Movies, passed away at the age of 85 earlier this month. His death has prompted a wave of nostalgia and appreciation for his contributions to cinema, particularly his promotion of Australian films. As tributes flood social media, many are reflecting on the void left in Australian television since the show concluded in 2014.

Between 1986 and 2014, Stratton and co-host Margaret Pomeranz offered viewers a weekly journey through both mainstream blockbusters and independent films. The duo began their collaboration on SBS with The Movie Show before transitioning to ABC for At The Movies in 2004. Their dynamic presence echoed that of the famous American critics Siskel & Ebert, with their engaging debates capturing the attention of audiences nationwide.

Stratton’s persona embodied the role of a distinguished film critic. With his white hair, glasses, and formal attire, he delivered critiques with a distinctive Australian accent that imbued his opinions with authority. His memorable quips, such as calling action star Vin Diesel “implacably boring,” showcased his sharp wit and deep knowledge of cinema.

In contrast, Pomeranz brought a relaxed, relatable charm to the show. A talented television producer, she was known for her appreciation of diverse film styles, including a fondness for Diesel, and her striking fashion sense. Her lively commentary often countered Stratton’s more serious tone, leading to memorable exchanges that became a hallmark of the program.

Exploring Contrasting Perspectives

The interplay of their differing viewpoints was a significant aspect of At The Movies. While Stratton often leaned towards traditional cinematic values, Pomeranz was more open to avant-garde and experimental films. Notably, their debate on the controversial Australian film Romper Stomper, featuring Russell Crowe, highlighted their contrasting perspectives. Stratton chose not to rate the film, voicing concerns about its potential to glamorize racism. Pomeranz, on the other hand, deemed it an essential viewing experience and awarded it five stars.

Their discussions often went beyond mere ratings, fostering a culture of mutual respect and understanding. As they navigated their disagreements, they exemplified the value of diverse opinions in film critique. Their unofficial catchphrase, “agree to disagree,” resonated with viewers, promoting the idea that differing tastes could lead to deeper conversations about cinema and its impact on society.

A Lasting Legacy

The absence of At The Movies has left a notable gap in Australian television. In the years since its conclusion, there has been a lack of similar programs that combine insightful analysis with engaging discourse. The show’s unique format and the chemistry between Stratton and Pomeranz offered audiences a rare opportunity to explore films from multiple angles, encouraging viewers to reflect on their own interpretations.

As the film community mourns the loss of David Stratton, many are calling for a revival of thoughtful film critique in Australian media. The enduring popularity of At The Movies is a testament to the demand for programs that celebrate cinema as both an art form and a medium for cultural discussion. In an era where streaming platforms dominate the landscape, the need for informed criticism is more crucial than ever.

Stratton’s legacy as a passionate advocate for cinema will continue to inspire future generations of film lovers and critics. The conversations he and Pomeranz initiated about film and society remain relevant, underscoring the importance of dialogue in understanding the complex narratives that cinema presents. As Australians pay tribute to Stratton, it is evident that his impact on film critique will be felt for years to come.

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